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"Girl With a Pearl Earring" Overview
A beguiling story about artistic vision and sensual depth that eerily and eloquently re-creates the feeling of the famous painting that inspired it
In seventeenth-century Delft, there's a strict social order-rich and poor, Catholic and Protestant, master and servant-and all know their place. When Griet becomes a maid in the household of the painter Johannes Vermeer, she thinks she knows her role: housework, laundry, and the care of his six children. She even feels able to handle his shrewd mother-in-law; his restless, sensual wife; and their jealous servant. What no one expects is that Griet's quiet manner, quick perceptions, and fascination with her master's paintings will draw her inexorably into his world. Their growing intimacy sparks whispers; and when Vermeer paints her wearing his wife's pearl earrings, the gossip escalates into a full-blown scandal that irrevocably changes Griet's life.
Written with the precision and focus of an Old Master painting, Girl With a Pearl Earring is a vivid portrait of colorful seventeenth-century Delft, as well as the hauntingly poignant story of one young girl's rite of passage.
"Beautifully written, mysterious, and almost unbearably poignant . . . I read it with a book of Vermeer's paintings beside me and it was a magical experience to glance from one to the other."-Deborah Moggach, author of Tulip Fever
"Girl With a Pearl Earring" Specifications
With precisely 35 canvases to his credit, the Dutch painter Johannes Vermeer represents one of the great enigmas of 17th-century art. The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer's extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries--and it is this magnetic painting that lies at the heart of Tracy Chevalier's second novel of the same title.
Girl with a Pearl Earring centers on Vermeer's prosperous Delft household during the 1660s. When Griet, the novel's quietly perceptive heroine, is hired as a servant, turmoil follows. First, the 16-year-old narrator becomes increasingly intimate with her master. Then Vermeer employs her as his assistant--and ultimately has Griet sit for him as a model. Chevalier vividly evokes the complex domestic tensions of the household, ruled over by the painter's jealous, eternally pregnant wife and his taciturn mother-in-law. At times the relationship between servant and master seems a little anachronistic. Still, Girl with a Pearl Earring does contain a final delicious twist.
Throughout, Chevalier cultivates a limpid, painstakingly observed style, whose exactitude is an effective homage to the painter himself. Even Griet's most humdrum duties take on a high if unobtrusive gloss:
I came to love grinding the things he brought from the apothecary--bones, white lead, madder, massicot--to see how bright and pure I could get the colors. I learned that the finer the materials were ground, the deeper the color. From rough, dull grains madder became a fine bright red powder and, mixed with linseed oil, a sparkling paint. Making it and the other colors was magical.In assembling such quotidian particulars, the author acknowledges her debt to Simon Schama's classic study The Embarrassment of Riches. Her novel also joins a crop of recent, painterly fictions, including Deborah Moggach's Tulip Fever and Susan Vreeland's Girl in Hyacinth Blue. Can novelists extract much more from the Dutch golden age? The question is an open one--but in the meantime, Girl with a Pearl Earring remains a fascinating piece of speculative historical fiction, and an appealingly new take on an old master. --Jerry Brotton
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